korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

the space groove odyssey of the natural yogurt band continues in the black grooves of the milky way. after exploring the majestic neptune and its 13 moons, revealing one of the best-kept secrets of the cosmic-groove ascending jazz universe, natural yorgurt band continues its mission as david bowman and franck poole of clarke and kubrick, in 1968 simple coincidence or bad shot of the not so artificial and petty intelligence of carl900 the story does not say it (yet) but we can think that the sound of this new 45t of four intergalactic gates brings incredibly futuristic answers the mysterious origins of this music that lives in us! -everything will be fine- we slip from the depths of the galaxy before inviting us to wave on the moogulation of a dreamlike -punchbag-. everyone seeks his groove and tnyb leaves us free to choose our path, preferably milk, on a -this way or that way- beautiful to cry the stars. do not miss that they perform miracles ... has anyone ever heard of turning water into wine? wait ... oh my gods!

with zebra, the fourth arp longplayer, ny-based artist / producer / dj, alexis georgopoulos, has boldly stepped into vastly new musical territory – blurring the lines between electronic and acoustic, between the experimental impulse and the addictive pop sensibility. reaching across genres — colliding modern composition with post-pop structures, dub techniques and three-dimensional geometries — georgopoulos creates a delirious mélange of sound, spellbinding in its range. the 45rpm deluxe double vinyl includes a download code.

so unterschiedliche einflüsse wie funk, psychedelic rock, latin und electronica zu schmieden ist nie einfach, aber “exotic other” beweist, dass diese band der aufgabe mehr als gewachsen ist. “exotic other” ist das debütalbum von animanz aus london und der argentinischen und kongolesischen sängerin juanita euka. mit neun ansteckenden funk-infizierten tracks ist das album eine dynamische reise durch die rockige exotik. aromen von rhumba, cumbia und merengue bis hin zur punk-attitüde und elektro-energie des club-funk-sounds des titeltracks “exotic other” repräsentieren die rasante und vielfältige art ihrer heimat london. die vinyl-lp erscheint inklusive downloadcode.

“hulled” is a 25 minute journey spread across 4 tracks of glacial abandon. all tracks were recorded directly to tape with no overdubs, made at converse’s home studio. bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” the songs on this album reveal a sublime influence from detroit techno, idm, and acid. built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral. all songs were mastered for vinyl by george horn at fantasy studios in berkeley. each ep is housed in a die-cute jacket designed by eloise leigh with peachy pink patterns landing on an alien water planet and seeing mysterious playing forms under the turquoise water. and the. each copy includes a postcard featuring photo of bill with notes.

dark entries are honored to reissue the 3rd full length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. originally self-released in 1988, this reissue adds 3 unreleased bonus tracks recorded during the same period. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios.

keine andere musikrichtung ist so mit dem sommer verknüpft wie reggae. sobald die wärmsten tage des jahres beginnen hört man aus den cabrios und auf vielen partys die rhythmen aus jamaika. natürlich darf der größte aller reggae künstler nicht fehlen: bob marley. außerdem gibt es hits von beenie man, gregory isaacs, sly & robbie, john holt auf vinyl.

apart from being known for founding the infamous vinyl imprint subaltern records and for his residency on sub.fm, gabriele romeo aka. mentha has made quite a name for himself with his jazz-influenced bass music productions. this lp is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

release number three for too many squares who present radium craze and the track ballad for a cruel world. the ep includes an incredible remix of the title track by the uber talented alexander arpeggio (eine welt/mond-music/otto) and is finished off in a rather sophisticated manor with the beautifully haunting floating under water.

kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

wow, how time flies. i can’t believe i am putting out record number five already. this release comes from star of the future adam pits. i have known adam for a long time as he was a few years below me at school and then proceeded to go to uni in leeds like i did. he is from the same crew as breaka, and there must be something in the water up there because these guys and the rest of their mates are producing the best shit in town right now. it is a privilege to put out adam’s first piece of wax because these two tunes are dynamite from start to finish. all three tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight...

producer gavin hardkiss offers a transcendental sound echoing the 90s with four cuts from the hawke album love in stars.

die kunst von me + marie ist das brückenschlagen. zwischen epizentrum und peripherie, skizze und hymne, rausch und romantik. zwischen zustimmung und widerspruch. “double purpose” erzählt von der unauflösbaren verschränktheit der dinge. davon, dass es das eine nicht ohne das andere gibt: keine besinnlichkeit ohne chaos, keine romantik ohne die lust an zerstörung. keine leidenschaftliche nacht ohne verbitterte streits, keine ausschweifende fantasie ohne die gemeine wirkliche welt, die notorisch schwingt zwischen langeweile und ekstase wie die atomuhr der zweisamkeit. der song “double purpose” bringt die geschichte des albums auf den punkt. er war der erste song der nach dem vorgänger-album geschrieben wurde und der letzte der gerade noch auf die platte kam, nachdem er vorher wieder und wieder eingespielt und verworfen wurde.
die vinyl-lp erscheint inklusive downloadcode.

jedi mind tricks is currently one of the hottest underground hip-hop groups in the united states. their sophomore album, violent by design, has sold over 85.000 copies and is regarded by many as one of the best independent hip-hop albums ever recorded. babygrande records is proud to present “the psycho-social, chemical, biological, and electro-magnetic manipulation of human consciousness” lp which is the cult classic prequel to violent by design. described by the source magazine as “ahead of its time” and by cmj as “a must own for anyone who cares about hip-hop culture,” the psycho-social was originally released only in limited pressings on vinyl 1997. the vinyl edition sells frequently on ebay for upwards of $100. that is until now... in 2002, prior to obtaining national distribution, babygrande released the cd version to independent retailers nationwide and scanned over 40.000 copies. now, babygrande has opened its vaults to re-release the the vinyl edition of the psycho- social in its entirety on collectible edition red vinyl (and for the first time ever in limited quantities on clear vinyl). thanks to digital remastering, listeners can obtain the album jedi mind tricks originally released in 1997, exactly as the artist intended. same barcode on black and clear vinyl, random fill, no guarantee.

standard version of passenger’s new album “runaway” on single black vinyl in gatefold sleeve

deluxe version of passenger’s new album “runaway” on double black vinyl in gatefold sleeve with download code included. the 2nd vinyl features 10 live acoustic versions, recorded across north america in april 2018.

ismo laakso s very well produced and spaceously mixed ofelia (from 1996-99) is a blend of industrial, avant garde, modern classic, bleeps and clicks. the narrative of this album sometimes undefinably blurs the lines between recorded material & samples, and also juxtapose the main grooves with highly psychedelic sound effects and (beautiful) melodies.

the 1972 album from deep purple back on limited purple vinyl with doanload code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

the 1972 live album from deep purple back on limited purple double vinyl with download code included. mastered from the original tapes at abbey road studios. housed in a gatefold sleeve.

the 1977 live album from deep purple back on limited purple vinyl with download code included. mastered from the original tapes at abbey road studios.

a new adepth audio record featuring canadian rennie foster, including a remix of nomadico (dj dex/underground resistance). the title track witch hazel is a 9 minute long track with no breakdown and a minimal approach to arrangement, with organic elements cycling in and out subtly rather than obviously beginning and ending. a rolling half time, tribal groove drives the power of the track with a haunting vocal sample and layers of percussion creating a heady, polyrhythmic hypnosis on the dance floor. not since rennie s well known devil s water has he presented such an overtly occult offering as this extremely finely crafted ep, and this song represents the initial seduction of the record to the listener very effectively. the second track, navigator, is a drum machine driven workout, again with a polyrhythmic and tribal vibe, this time drenched in a rich, holographic pad that morphs and moves in unexpected ways. minimalistic in presentation, this track is bass heavy and functional for the dj, yet artistic and emotional. the nomadico remix by dj dex of underground resistance takes the elements of witch hazel and re-constructs them in a futuristic style with a more driving kick and molten detroit attitude. a heavier techno approach to the piece, but still intact is the melancholic atmosphere of the original and siren song of the vocal sample. this mix includes a dramatic breakdown and unique arrangement familiar to fans of nomadico s awesome yaxteq label. the last track on the ep is called crossing the boundary is possibly the only track in this style to sample distorted vocals usually associated with black metal, making this a very unique, perhaps polarizing, experiment in sound. evocative of the desolation of deep space and suggestive of sonic dark matter. this track combines rennie s singular approach to dub techno with ambient and drone music and the result is like nothing else currently in existence.

there may be many northern soul compilations on the market, but there are few as glorious as this. few other collections have such unfettered access to such outstanding catalogues that of tamla motown and chess. these 25 floor fillers are guaranteed to ignite any party and have been tried and tested in clubs the length and breadth of the country from the 60s onwards. compiled lovingly together on vinyl, these tunes - with artists such as the elgins, frank wilson, gloria jones and frankie valli and the four seasons - are timeless examples of this most precious music. the double vinyl release includes a download code.

vast, expansive and introspective works utilising place-specific found sound on this second cremation lily lp for alter. contemplating mortality, illness and the perennial bleakness of british winter in a seaside town we find zen zsigo experimenting with piano, violin, synthesiser and walkman tape players. layering field recordings of the hastings shoreline atop druggy, stretched out 303 basslines and snippets of spoken word there seems to be an overarching thematic of memory and reflection at play. from vignettes of crumbling glass and bittersweet drones through to sprawling, semi-rhythmical pieces (‘as a sea creature...’) it seems as if zsigo is trawling the coast for fragments of its former glory. the end result of his study manages to echo the work of yoran, leyland kirby and even jacob kirkegaard yet the rare moments where he lays bare his own vocal narrative seemingly transforms in england now, underwater into sonic diary territory. mixing salt-water soaked cassette loops with haunting, minimalist piano motifs and warped recordings of crashing waves and bird noise an intense atmosphere of ballards drowned world is evoked through sound.

fashionable impression on sketches 8th release. vinyl only. limited copies. ema remedi presents her first release on sketches. a side, yugen, brings a truly sophisticated atmosphere. on the other side, losoul shows his re-interpretation of the track, with surrounding elements floating full time, trip and stern. water gliss, completes the release with noble class.

pop down shamansbury s, pick up a double pack of gregorian chanting. add water, stir in some acid and a side of wonk. microwave for 2mins. bingo. arms aloft fun for the whole family.

limited and numbered reissue on virgin 180 gram double vinyl. housed in a gatefold sleeve with cd-copy included.

rÜfÜs chart topping debut album, atlas, gets a much-needed worldwide release, having only been available in australia up until now. featuring the much loved singles take me and desert night , atlas debut at #1 was a testament to the band s passion, work ethic and diy approach to music. a labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the nsw south coast, the second in a hollowed out water tank under one of their parents houses. “their sound cannot be likened to any other act- - ***** acidstag.com “australian indie-dance juggernaut rÜfÜs are poised for a worldwide breakout. the trio has already released four eps, put together a string of remixes and gone on multiple sold-out tours of australia… nobody can deny their infectious results.- - mtvhive.com

14 track compilation, devoted to the life & legacy of rock hero mick ronson. includes tracks from his unparalleled career as a solo artist, supporting guitarist and producer alongside the likes of david bowie, joe elliott, ian hunter, elton john and queen. pressing on 180 gram double vinyl, housed in a gatefold sleeve with download code included.

melly aka dj apres ski with four tracks of cerebral club music only for the headstrung. highlights from where to now? and jheri tracks alumnus include the tripped-out meandering tease of shrubbery and the space bass of mineral water, which closes the 12inch on a locked groove. mastered by someones dad? cut at schnittstelle. artwork by mel keane.

music for visual disorders collects together various compositions by tomaga that have been used by different artists or curators within the context of works of visual art, dance or exhibitions.

it was said that the craft was so large that one could walk for days without touching a wall. that instead of the glowlights above, there was only one, and somehow it split into the many we have today. and in the floor of the ship, there were rushes of water, hallways so to speak, that entire men could float down. and so they did.
depth over distance is bringing new talent to the limelight with its second release. a collection of cosmic grooves spanning 5 original tracks conjured by young bristolian mcgregor.
going from solid crunchy house grooves (light years from you) and an ethereal mix of breaks, pads and crisp percussion (reality) on one side of the vinyl, to a more extrapolated back side: wanna e, with its unexpected groove and drops, ready to tear up an unsuspecting dancefloor, closer feeling like a timeless breakbeat classic and with 1997 (vocal mix) forming an elegant, emotional last note of the ep.

sextet (1982) will be released on clear orange vinyl (with download code included) in a textured sleeve replicating the original factory release. dark and brooding, yet bright and funky, sextet is a firm favourite amongst the critics and saw a certain ratio refine the experimentation of the first two albums and deliver a masterpiece that is as off-kilter and weird as it is commercial and pop.

much needed reissue of brazil, a collaborative work by three spearheads of scandinavian electronic music today. the original edition was presented in a limited run of four cassettes, boxed and with an accompanying book. this timely reissue comes as a remastered double lp set, inviting a new set of listeners to the work.

as non state’s inaugural release, the lake ep by jarvus is a textural exploration into unknown realms, with each passing movement painting imagery of coarse landscapes, from the rolling, insomniac daze of “rock pools”, filled with warm, bouncing bass sequences and synth-pad whirlwinds, to the submersible resonance of “lake mist”, projecting feelings of fragility and under-water claustrophobia as tribal-esque rhythms act as a calming mantra.
produced by processing all kinds of expressive sounds through various guitar pedals and using circuit bending or diy instruments, jarvus fuses downtempo-techno into atmospheric, mesmerising movements rather than folding into conventional structures.

singer, songwriter, producer and violinist sudan archives has just released her sophomore ep sink. “sink describes the way i want my music to make you feel,” she says, “it’s inspired by my love of fluidity, movement of jellyfish and water.” the release caps off a highly active spring that included a slew of highly buzzed performances at sxsw (yielding praise from npr, paste, new york times, chicago tribune and more), both weekends of coachella, a tour supporting peanut butter wolf in japan, and a show-stopping performance at form arcosanti. she is currently gearing up for a run of european festivals while prepping for more soon-to-be-announced us dates.

ryan parks is a mixed media artist, music producer/performer, and ceo/founder of critically robust cassette tape label, harsh riddims. he was born in college park, ga and grew up skating all around atlanta, soaking up the dense kaleidoscopic cultural ooze found both in and outside the perimeter of atlanta. aside from his visual practice which usually takes shape as mixed media (jacob lawrence/matisse inspired in my opinion!) collage, he has been releasing music as fit of body for seven years. fit of body crafts soulful house ballads that draw on freestyle, bell hooks, old school detroit techno, jazz, and southern rap passed through a no wave paradigm. fit of body has previously released work on cgi, dka, ransom note, and his own label, harsh riddims. “black box no cops” is fit of body’s debut 2mr release, named for atlanta hallowed skate grounds, black box. the vinyl release includes a download code.

beneath the still waters of lonely sound there lays the ruins of howland abbey, its 3000lb bell still hanging in the belfry, only swayed by the currents of the regular tides across the estuary, over 100 years since it was rang by the order of carthusian monks who lived in the nearby priory. at the turn of the last century during a heavy storm the abbey was plundered by an unknown gang of marauders, as they left on horseback carrying with them all the gold from the abbey the sea defences around lonely sound were breached, flooding the abbey, priory and the surrounding land, the monks ran for dry land as they watched their beloved bell tower disappear beneath the rising waters, unable to chase the thieves, cut off as the water rose around them. some locals say these ransackers were in league with the elements, some say they had just intentionally damaged the sea defences before making their raid. local folk-law claims that the morning bells of the abbey can be heard ring out from beneath the murky waters of the sound every year on the anniversary of the great storm, ringing the peel that was never rung.

the guys on this compilation are playful composers and appear to engage in various behaviors for sheer enjoyment, such as making waterslides and then sliding on them into the water. they may also find and play with small stones. their record is based on a myth where naya le loup shapeshift into beautiful women wearing stones-patterned clothing. if a human attempts to speak to him, he will answer nao and then answer copo, and if anybody asks him anything, he say cryptic things like blizzaga.

double 12 inch vinyl in full colour sleeve.

released in solidarity with tigas anti-tech house crusade, a silent campaign fought everyday on the streets of your hometown, blaze finds russian crypto-whiz dimitri veimar still dancing with the rawer-than-the-rawest-dog electro thats brought him to the dizzying heights of the mid-tier crags of mt. turbo mountain. throwing his weight behind what some in the media are probably already calling tigas war was absolutely necessary following the events of a recent gig in moscow. veimar opened the night by playing no fewer than three tiga tracks, which anyone whos read tigas taboos can tell you is definitely a tiga taboo. deeply immersed in the practice of pouring his own mineral water, tiga ignored the hootin and hollerin of the vips crowding the dj booth (including dennis miller and diego maradona), and proceeded to play a set entirely comprised of recordings of every embarrassing thing veimar had ever said in his life. four hours later, an emotionally-shot veimar collapsed into tigas arms, with the magnanimous label boss whispering, i forgive you, dimitri into his ear. the release also features a broken techno remix from mysterious european producer florian kupfer, who made us sign a non-disclosure-agreement dictating that we can only describe him as mysterious, enigmatic, and/or european, so well have to let the music do the talking.

strut presents the definitive reissues of two all-time classic caribbean soul and funk albums, the beginning of the ends funky nassau (1971) and beginning of the end (1976).

front left records founder elad magdasi is next to appear on sinfols anagram label with four stirring cuts entitled liquid dreams this june. originally hailing from tel aviv, magdasi moved to berlin in 2013 where he has immersed himself in the scene whilst honing his craft in the studio. primarily a platform for his own productions, he launched front left records in 2015 and later debuted on anagrams phasing faces va in 2017 alongside anetha, d?vide and sinfol. he now returns to the label with a four track release of his own. liquid dreams opens the release with a mesmerizing spoken word sample, twinkling melodies and layered atmospherics whilst sporadic hats rattle throughout. thudding kicks, escalating synths and quivering bass then combine together in water damage before moving into the mesmerizing silver lights, which conjures up an otherworldly aesthetic courtesy of arpeggiated notes and crashing cymbals. lastly, never let go exhibits a cacophony of elements such as crystalline chords and a meandering bassline that generate a heightening suspense from start to finish.

the lehult crew goes back to beach with this v.a. full of blistering sundowners. inspired by utopian visions of northern holiday destination sylt - germanys white isle - the four tracks ooze a sense of lighthearted optimism. rave (sylt tv) is a photo-op of a track: a chilled bottle of rose at buhne 16 or a long night at rotes kliff with girls in sequin dresses. refreshing fruit, tasty fruit paints a lighter picture of the same theme. think a tasting tour of 15 different kinds of sparkling water. dj assams sandy warms things up with distant laughter and swirly synths. but stay cozy, because a change of weather is always around the corner. blueberry icetea is closing things out with a hom-age to the jolly car-train that connects sylt to the mainland - the only reasonable way to come and go!

fresh on francis harris kingdoms imprint comes rasmus junckers ‘ophold - six tracks of sublime atmospheres and textures. the danish musician, sound composer and dj fits perfectly with the labels aesthetic, joining the dots between ambient, leftfield electronica and modern classical. juncker has a background in studying jazz drumming and has been playing improvised music within the jazz domain for many years. he also started to dj at the age of 14 and was introduced to the world of electronic music production at the same time. when rasmus started to think about his debut album he spent several months trying to find his own way to combine his favourite musical influences, improvisation, electronics and classical music. almost a year later, juncker says, i went to a sensory deprivation floating tank in copenhagen while researching for another performance and while i was lying there, floating in the water, deprived from most of my senses, i got the idea to do something drastic in my musical process. philosophers like immanuel kant describe this deprived state as a mental cesura, which became some sort of guideline for the album.

the long awaited new studio album from eminem as double viny release, housed in a gatefold sleeve.

the next episode in the aquarian motion epic!